If you enjoyed Aamir Khan’s previous movies “3 Idiots” and “PK,” prepare to be dazzled once again with “Dangal.” This biographical action drama draws its inspiration from Mahavir – an amateur Indian wrestler played by Aamir – who breaks away from gender norms within patriarchal India by training his daughters Geeta and Babita into world-class wrestlers. We will explore “Dangal” using transition verbs as we dive deeper into its narrative.
Establishing the Scene: From its inception, “Dangal” follows in the footsteps of its predecessors by confronting social norms. Where “3 Idiots” focused on education systems and “PK” examined polytheism, this latest production takes aim at gender stereotypes and traditional roles within Indian society.
Journey of Discovery:
Mahavir, a former national champion wrestler, longs to have a son that could fulfill his unrealized dream of becoming an internationally acclaimed grappler – but sadly his own father rejected that wish and demanded instead that Mahavir find more stable employment. Unfazed, Mahavir channeled his determination into training his daughters Geeta and Babita instead.
Transitioning to Geeta’s Triumphs:
Under Mahavir’s unforgiving mentorship, Geeta quickly blossoms into an accomplished grappler, easily beating boys at local tournaments and eventually becoming state champion. The film explores their complex relationship as she attempts to become the first female Indian wrestler ever to win gold at Commonwealth Games; her training regime differs drastically from that taught by her father causing tension in their bond as Coach Pramod demands that Geeta abandon previous methods of practice.
Exploring Themes and Missed Opportunities:
Although “Dangal” provides an engaging portrait of family dynamics and triumphing over external and domestic opposition, its filmmakers miss an opportunity to delve further into Geeta’s psychological journey. Additionally, unlike Western sports biopics that emphasize personal success over patriotism and national glory, “Dangal” instead focuses on Mahavir’s drive for India in winning an Olympic medal; yet its message still delivers an important progressive message, highlighting the need for equal support of female athletes alongside male counterparts.
“Dangal” stands out among sports-based films by accurately portraying training rigor and wrestling sport itself. The visually attractive cinematography, complemented by rural Haryana’s golden-brown hues, adds charm. Kripa Shankar Bishnoi’s expertise as national-level wrestling coach creates both credible and thrilling wrestling sequences; plus full-length matches further enrich this viewing experience and reward viewers’ investment.
Nitesh Tiwari’s adeptness with young actors shines through in “Dangal,” as was evident in his previous movies. Zaira Wasim and Suhani Bhatnagar give stunning performances as younger versions of Geeta and Babita respectively, while Fatima Sana Shaikh and Sanya Malhotra shine as older wrestlers Fatima Sana Shaikh and Sanya Malhotra provide convincing performances as older grapplers. Notably, Aamir Khan goes through an impressive physical and emotional transformation to capture Mahavir’s spirit and resilience.
Pritam’s musical score and lyrics by Amitabh Bhattacharya perfectly enhance the narrative in this film, from Daler Mehndi’s adrenaline-pumping title track, through soulful “Gilheriyaan,” Haryanvi hip-hop number “Haanikarak Bapu,” and energetic “Dhakaad.” Each note resonates with its essence of story telling.
Conclusion:
“Dangal” stands out as a cinematic triumph despite some missed opportunities, celebrating the historic victories of the Phogat family while providing fresh perspectives on gender roles, daughters’ upbringing and the administration’s approach to sports. With its engaging writing, stellar performances and remarkable depiction of wrestling, “Dangal” leaves an unforgettable mark with viewers while leaving lasting impacts behind.
